Wright, Joseph (of Derby) - An Iron Forge (1772) - Tate Gallery postcard

Art Postcard
• Work of art title: Joseph Wright of Derby
• Artist (if known): An Iron Forge (1772)
• Media or other details:  oil paint on canvas
• Publisher / Gallery: The Tate Gallery, London
• Postally used:  no
• Stamp & postmark details (if relevant): n/a
• Size: modern
• Notes & condition details:

NOTES:

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Stock No.: A508

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:

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Joseph Wright (3 September 1734 – 29 August 1797), styled Joseph Wright of Derby, was an English landscape and portrait painter. He has been acclaimed as ""the first professional painter to express the spirit of the Industrial Revolution"".^[1]

Wright is notable for his use of Chiaroscuro effect, which emphasises the contrast of light and dark, and for his paintings of candle-lit subjects. His paintings of the birth of science out of alchemy, often based on the meetings of the Lunar Society, a group of very influential scientists and industrialists living in the English Midlands, are a significant record of the struggle of science against religious values in the period known as the Age of Enlightenment.

Many of Wright's paintings and drawings are owned by Derby City Council, and are on display at the Derby Museum and Art Gallery.

Joseph Wright was born in Irongate, Derby. Deciding to become a painter, Wright went to London in 1751 and for two years studied under Thomas Hudson, the master of Joshua Reynolds. After painting portraits for a while at Derby, Wright again worked as an assistant to Hudson for fifteen months. In 1753 he returned to and settled in Derby and varied his work in portraiture by the production of the subjects with strong chiaroscuro under artificial light, with which his name is chiefly associated, and by landscape painting. Wright also spent a productive period in Liverpool, from 1768 to 1771, painting portraits. These included pictures of a number of prominent citizens and their families.

Wright married Ann (also known as Hannah) Swift, the daughter of a leadminer, on 28 July 1773^[3]

Wright and his wife had six children, three of whom died in infancy. Wright set off in 1773 with John Downman, a pregnant Ann Wright and Richard Hurleston for Italy. Their ship took shelter for three weeks in Nice before they completed their outward voyage in Livorno in Italy in February 1774.^[4] Downman returned to Britain in 1775.^[5] Although he spent a great deal of time in Naples, Wright never actually witnessed any eruption of Mount Vesuvius; however, it is possible that he witnessed smaller, less impressive eruptions, which may have inspired many of his subsequent paintings of the volcano.^[6] On his return from Italy he established himself at Bath as a portrait-painter, but meeting with little encouragement he returned to Derby in 1777, where he spent the rest of his life. He became increasingly asthmatic and nervous about the house, and for these complaints he was treated by his friend Dr. Erasmus Darwin. Ann Wright died on 17 August 1790. On 29 August 1797 Wright died at his new home at No. 28 Queen Street, Derby, where he had spent his final months with his two daughters.^[3]

Wright was a frequent contributor to the exhibitions of the Society of Artists, and to those of the Royal Academy, of which he was elected an associate in 1781 and a full member in 1784. He, however, declined the latter honour on account of a slight which he believed that he had received, and severed his official connection with the Academy, though he continued to contribute to the exhibitions from 1783 until 1794.

Wright is seen at his best in his candlelit subjects of which the Three Gentlemen observing the 'Gladiator' (1765), his A Philosopher Lecturing on the Orrery (1766), in the Derby Museum and Art Gallery, and An Experiment on a Bird in the Air Pump (1768), in the National Gallery are excellent examples. His Old Man and Death (1774) is also a striking and individual production.

Joseph Wright of Derby also painted Dovedale by Moonlight, capturing the rural landscape of a narrow valley called Dovedale, 14 miles northeast of Wright's hometown of Derby, at night with a full moon. It hangs in the Allen Memorial Art Museum at Oberlin College.^[7] Its companion piece, Dovedale by Sunlight (circa 1784–1785) captures the colors of day. In another Moonlight Landscape, in the John and Mable Ringling Museum of Art, Sarasota Florida, equally dramatic, the moon is obscured by an arched bridge over water, but illuminates the scene, making the water sparkle in contrast to the dusky landscape. Another memorable image from his tour of the Lake District is Rydal Waterfall of 1795.

Cave at evening (above) is painted with the same dramatic chiaroscuro for which Joseph Wright is noted. The painting was executed during 1774, while he was staying in Italy. Notice the similarities to the Museum of Fine Arts, Boston's holding, Grotto by the Seaside in the Kingdom of Naples with Banditti, Sunset (1778).^[8]

type=printed postcards

theme=artists signed

sub-theme=art

number of items=single

period=1945 - present

postage condition=unposted