James Taylor – Mud Slide Slim And The Blue Horizon Vinyl LP Record Album BS-2561

This listing is for James Taylor – Mud Slide Slim And The Blue Horizon Vinyl LP Record Album BS-2561.

Label: Warner Bros. Records – BS 2561

Format: Vinyl, LP, Album, Gatefold

Country: US

Released: 1971

Genre: Rock

Style: Country Rock, Soft Rock  

Condition:   Jacket:    Very Good (slight cover wear)          Vinyl:     Very Good

Tracklist:

A1 Love Has Brought Me Around 2:41

A2 You've Got A Friend 4:29

A3 Places In My Past 2:01

A4 Riding On A Railroad 2:41

A5 Soldiers 1:13

A6 Mud Slide Slim 5:20

B1 Hey Mister, That's Me Up On The Jukebox 3:46

B2 You Can Close Your Eyes 2:31

B3 Machine Gun Kelly 2:37

B4 Long Ago And Far Away 2:20

B5 Let Me Ride 2:42

B6 Highway Song 3:51

B7 Isn't It Nice To Be Home Again 0:55

Mud Slide Slim and the Blue Horizon is the third studio album by American singer-songwriter James Taylor, released in April 1971 by Warner Bros. Records. The album was recorded between early January and late February of the same year. Released in April 1971, the album contains Taylor's biggest hit single in the US, a cover version of the Carole King standard "You've Got a Friend", which hit #1 on the Billboard charts on July 31, 1971, his only song to do so. The week before, the album itself reached its peak position of #2 in the Billboard album charts. It was held off the top spot by King, then ruling the charts with the blockbuster Tapestry album, which contained her version of "You've Got a Friend". The song earned Grammy Awards both for Taylor (Best Pop Vocal Performance, Male) and King (Song of the Year). Mud Slide Slim managed to generate another Top 40 hit, "Long Ago and Far Away", which reached #31 on the Billboard Hot 100. Other songs became standards in concert, particularly "You Can Close Your Eyes". Reviewing for Rolling Stone in 1971, Ben Gerson found the album to be a "dull listening" the first few times: "Once the melodies begin to sink in, and the LP's raison d'etre is discovered, the album's subtle tensions begin to appear. And while the album at this point makes for pleasant, absorbing listening, there is a terrible weariness to it which is part of its artistic statement."

Village Voice critic Robert Christgau was more critical of Taylor's songwriting. "Having squandered most of the songs on his big success, he's concentrating on the intricate music", Christgau wrote, finding the lyrics "more onanistic than ever, escapist as a matter of conscious thematic decision. From what? you well may wonder. From success, poor fella. Blues singers lived on the road out of economic necessity, although they often got into it; Taylor is an addict, pure and simple. A born-rich nouveau star who veers between a 'homestead on the farm' (what does he raise there, hopes?) and the Holiday Inn his mean old existential dilemma compels him to call home deserves the conniving, self-pitying voice that is his curse. Interesting, intricate, unlistenable." In 2000 it was voted number 858 in Colin Larkin's All Time Top 1000 Albums.

CONDITION Descriptions:

I base the condition of each of my Records off of 's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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