David, Jacques-Louis - The Sabines - Louvres old art postcard

Art Postcard

 

• Work of art title: Les Sabines / The Sabines
• Artist (if known): J Louis David
• Media or other details:  painting
• Publisher / Gallery: Musee de Louvre, Paris
• Postally used:  no
• Stamp & postmark details (if relevant): n/a
• Size: Modern
• Notes & condition details:

NOTES:

Size: 'Modern' is usually around 6in x 4in / 'Old Standard' is usually around 5�in x 3�in. Larger sizes mentioned, but if you need to know the exact size please ask.

All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of ageing and use, particularly sent through the post. Any faults other than normal ageing are noted.

Stock No.:A211

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Postage & Packing:

UK (incl. IOM, CI & BFPO): 99p

Europe: �1.60

Rest of world (inc. USA etc): �2.75

No additional charges for more than one postcard. You can buy as many postcards from me as you like and you will just pay the fee above once. (If buying postcards with other things such as books, please contact or wait for invoice before paying).

Payment Methods:

UK - PayPal, Cheque (from UK bank) or postal order

Outside UK: PayPal or Google Checkout ONLY please.   NO non-UK currency checks or money orders (sorry).

NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:

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Jacques-Louis David ( /??k'lwi'd?vid/) (30 August 1748 � 29 December 1825) was an influential French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward a classical austerity and severity, heightened feeling^[1] chiming with the moral climate of the final years of the Ancien R�gime.

David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758�1794), and was effectively a dictator of the arts under the French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release, that of Napoleon I. It was at this time that he developed his Empire style, notable for its use of warm Venetian colours. David had a huge number of pupils, making him the strongest influence in French art of the early 19th century, especially academic Salon painting