Salisbury, Wiltshire - Cathedral - nice Photochrom real photo postcard

Please ask if you need any other information and I will do the best I can to answer.

Image may be low res for illustrative purposes - if you need a higher definition image then please contact me and I may be able to send one. No cards have been trimmed (unless stated).

------------------------------------------------

Postage & Packing:

Postage and packing charge should be showing for your location (contact if not sure).

No additional charges for more than one postcard. You can buy as many postcards from me as you like and you will just pay the fee above once. Please wait for combined invoice. (If buying postcards with other things such as books, please contact or wait for invoice before paying).

Payment Methods:

UK - PayPal, Cheque (from UK bank) or postal order

Outside UK: PayPal ONLY (unless otherwise stated) please.   NO non-UK currency checks or money orders (sorry).

NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!

I will give a full refund if you are not fully satisfied with the postcard.

----------------------------------------------

Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information (internal links may not  work) :

*************

Salisbury Cathedral, formally known as the Cathedral Church of the Blessed Virgin Mary, is an Anglican cathedral in Salisbury, England, and one of the leading examples of Early English architecture.^[1] The main body of the cathedral was completed in only 38 years, from 1220 to 1258.

The cathedral has the tallest church spire in the United Kingdom (123m/404 ft). Visitors can take the "Tower Tour" where the interior of the hollow spire, with its ancient wood scaffolding, can be viewed. The cathedral also has the largest cloister and the largest cathedral close in Britain (80 acres (32 ha)).^[1] It contains the world's oldest working clock (from AD 1386) and has the best surviving of the four original copies of Magna Carta (all four original copies are in England).^[1] In 2008, the cathedral celebrated the 750th anniversary of its consecration.^[2]

The cathedral is the mother church of the Diocese of Salisbury and seat of the Bishop of Salisbury, the Rt Revd Nick Holtam.

As a response to deteriorating relations between the clergy and the military at Old Sarum Cathedral, the decision was taken to resite the cathedral and the bishopric was moved to Salisbury.^[3] The move occurred during the tenure of Bishop Richard Poore, a wealthy man who donated the land on which it was built. The new cathedral was paid for by donations, principally from the canons and vicars of southeast England who were asked to contribute a fixed annual sum until it was completed.^[4] A legend tells that the Bishop of Old Sarum shot an arrow in the direction he would build the cathedral but the arrow hit a deer that died in the place where Salisbury Cathedral is now. The cathedral crossing, Old Sarum and Stonehenge are reputed to be aligned on a ley line, though Clive L.N. Ruggles asserts that the site, on marshland, was chosen because a preferred site several miles to the west could not be obtained.^[5]

The foundation stone was laid on 28 April 1220.^[6] Much of the freestone for the cathedral came from Teffont Evias quarries.^[7] As a result of the high water table in the new location, the cathedral was built on only four feet of foundations, and by 1258 the nave, transepts and choir were complete. The only major sections built later were the cloisters in 1240, the chapter house in 1263, tower and spire, which at 404 feet (123 m) dominated the skyline from 1320. Because most of the cathedral was built in only 38 years, it has a single consistent architectural style, Early English Gothic.

Although the spire is the cathedral's most impressive feature, it has proved to be troublesome. Together with the tower, it added 6,397 tons (6,500 tonnes) to the weight of the building. Without the addition of buttresses, bracing arches and anchor irons over the succeeding centuries, it would have suffered the fate of spires on later great ecclesiastical buildings (such as Malmesbury Abbey) and fallen down; instead, Salisbury remains the tallest church spire in the UK. The large supporting pillars at the corners of the spire are seen to bend inwards under the stress. The addition of reinforcing tie beams above the crossing, designed by Christopher Wren in 1668, arrested further deformation.^[8] The beams were hidden by a false ceiling, installed below the lantern stage of the tower.

Significant changes to the cathedral were made by the architect James Wyatt in 1790, including replacement of the original rood screen and demolition of a bell tower which stood about 320 feet (100 m) north west of the main building. Salisbury is one of only three English cathedrals to lack a ring of bells, the others are Norwich Cathedral and Ely Cathedral. However it does strike the time every 15 minutes with bells. In total, 70,000 tons of stone, 3,000 tons of timber and 450 tons of lead were used in the construction of the cathedral.^[9]

The west front is of the screen-type, clearly deriving from that at Wells. It is composed of two stair turrets at each extremity, with two niched buttresses nearer the centre line supporting the large central triple window. The stair turrets are topped with spirelets and the central section is topped by a gable which contains four lancet windows topped by two round quatrefoil windows surmounted by a mandorla containing Christ in Majesty. At ground level there is a principal door flanked by two smaller doors. The whole is highly decorated with quatrefoil motifs, columns, trefoil motifs and bands of diapering. The west front was almost certainly constructed at the same time as the cathedral.^[10] This is apparent from the way in which the windows coincide with the interior spaces. The entire façade is about 33 metres high and wide. It has been said that the front was built on a scale smaller than was initially planned. It lacks full-scale towers and/or spires as can be seen, for example at Wells, Lincoln, Lichfield, etc.^[11] The facade is disparaged by Alec Clifton-Taylor,^[12] who comments that it is the least successful of the English screen-facades and is a travesty of its prototype (Wells). He finds the composition to be unco-ordinated, and the Victorian statuary "poor and insipid".

The front accommodates over 130 shallow niches of varying sizes, 73 of these niches contains a statue. The line of niches extend round the turrets to the north, south and east faces. There are five levels of niches (not including the mandorla) which show, from the top, angels and archangels, Old Testament patriarchs, apostles and evangelists, martyrs, doctors and philosophers and, on the lower level, royalty, priests and worthy people connected with the cathedral. The majority of the statues were placed during the middle of the 19th century, however seven are from the 14th century and several have been installed within the last decade. (see main article)

Salisbury Cathedral is unusual for its tall and narrow nave, and has visual accentuation due to the use of light grey Chilmark stone for the walls and dark polished Purbeck marble for the columns. It has three levels: a tall pointed arcade, an open gallery and a small clerestory.^[13] Lined up between the pillars are notable tombs such as that of William Longespée, half brother of King John and the illegitimate son of Henry II, who was the first person to be buried in the cathedral.^[14]

The chapter house is notable for its octagonal shape, slender central pillar and decorative medieval frieze. It was redecorated in 1855-9 by William Burges. The frieze circles the interior above the stalls and depicts scenes and stories from the books of Genesis and Exodus, including Adam and Eve, Noah, the Tower of Babel, and Abraham, Isaac and Jacob. The chapter house also displays the best-preserved of the four surviving original copies of the Magna Carta. This copy came to Salisbury because Elias of Dereham, who was present at Runnymede in 1215, was given the task of distributing some of the original copies. Elias later became a canon of Salisbury and supervised the construction of the cathedral.