Renoir, Pierre-Auguste - At the Theatre / La Premiere Sortie (1877) art postcard

Art Postcard
• Work of art title: La Premiere Sortie [or At the Theatre]
• Artist (if known): Pierre-Auguste Renoir
• Media or other details:  painting
• Publisher / Gallery: Tate Gallery, London
• Postally used:  no
• Stamp & postmark details (if relevant): n/a
• Size: modern
• Notes & condition details:

NOTES:

Size: 'Modern' is usually around 6in x 4in / 'Old Standard' is usually around 5 1/2in x 3 1/2in. Larger sizes mentioned, but if you need to know the exact size please ask.

All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of ageing and use, particularly sent through the post. Any faults other than normal ageing are noted.

Stock No.: A828

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:

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Pierre-Auguste Renoir, commonly known as Auguste Renoir (US /r?n'w?r/ or UK /'r?nw?r/; French: [pj?? ogyst ??nwa?]; 25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that ""Renoir is the final representative of a tradition which runs directly from Rubens to Watteau.""^[1]

He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–69). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre.

Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, the child of a working-class family. As a boy, he worked in a porcelain factory where his drawing talents led to his being chosen to paint designs on fine china.^[2] Before he enrolled in art school, he also painted hangings for overseas missionaries and decorations on fans.^[3] During those early years, he often visited the Louvre to study the French master painters.

In 1862, he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frédéric Bazille, and Claude Monet.^[4] At times, during the 1860s, he did not have enough money to buy paint. Although Renoir first started exhibiting paintings at the Paris Salon in 1864,^[5] recognition was slow in coming, partly as a result of the turmoil of the Franco-Prussian War. Renoir had his first success at the Salon of 1868 with his painting Lise with a Parasol (1867), which depicted Lise Tréhot, his lover at the time.^[6]

During the Paris Commune in 1871, while Renoir painted on the banks of the Seine River, some Communards thought he was a spy and were about to throw him into the river when a leader of the Commune, Raoul Rigault, recognized Renoir as the man who had protected him on an earlier occasion.^[7]

In 1874, a ten-year friendship with Jules Le Cœur and his family ended,^[8] and Renoir lost not only the valuable support gained by the association, but also a generous welcome to stay on their property near Fontainebleau and its scenic forest. This loss of a favorite painting location resulted in a distinct change of subjects.

After a series of rejections by the Salon juries, Renoir joined forces with Monet, Sisley, Pissarro, and several other artists to mount the first Impressionist exhibition in April 1874, in which Renoir displayed six paintings. Although the critical response to the exhibition was largely unfavorable, Renoir's work was comparatively well received.^[6] That same year, two of his works were shown with Durand-Ruel in London.^[8]

Renoir did not exhibit in the fourth and fifth Impressionist exhibitions, and instead resumed submitting his works to the Salon. By the end of the 1870s, particularly after the success of his painting Mme Charpentier and her Children (1878) at the Salon of 1879, Renoir was a successful and fashionable painter.^[6]

In 1881, he traveled to Algeria, a country he associated with Eugène Delacroix,^[9] then to Madrid, to see the work of Diego Velázquez. Following that, he traveled to Italy to see Titian's masterpieces in Florence and the paintings of Raphael in Rome. On 15 January 1882 Renoir met the composer Richard Wagner at his home in Palermo, Sicily. Renoir painted Wagner's portrait in just thirty-five minutes. In the same year, after contracting pneumonia which permanently damaged his respiratory system, Renoir convalesced for six weeks in Algeria.^[10]

In 1883, Renoir spent the summer in Guernsey, one of the Channel Islands in the English Channel with a varied landscape of beaches, cliffs and bays, where he created fifteen paintings in little over a month. Most of these feature Moulin Huet, a bay in Saint Martin's, Guernsey. These paintings were the subject of a set of commemorative postage stamps issued by the Bailiwick of Guernsey in 1983.

While living and working in Montmartre, Renoir employed Suzanne Valadon as a model, who posed for him (The Large Bathers, 1884–87; Dance at Bougival, 1883)^[11] and many of his fellow painters; during that time she studied their techniques and eventually became one of the leading painters of the day.

In 1887, the year when Queen Victoria celebrated her Golden Jubilee, and upon the request of the queen's associate, Phillip Richbourg, Renoir donated several paintings to the ""French Impressionist Paintings"" catalog as a token of his loyalty.

In 1890, he married Aline Victorine Charigot, who, along with a number of the artist's friends, had already served as a model for Le Déjeuner des canotiers (Luncheon of the Boating Party, 1881), and with whom he had already had a child, Pierre, in 1885.^[10] After his marriage, Renoir painted many scenes of his wife and daily family life including their children and their nurse, Aline's cousin Gabrielle Renard. The Renoirs had three sons: Jean Renoir, who became a filmmaker of note, Pierre Renoir, who became a stage and film actor, and Claude Renoir, who became a ceramic artist.

type=printed postcards

theme=artists signed

sub-theme=art

number of items=single

period=1945 - present

postage condition=unposted