Master of Moulins studio - Charlemagne.. - art postcard

• Art Postcard

   

• Work of art title: Charlemagne and the Meeting of SS Joachim and Anna at the Golden Gate
• Artist (if known): studio of the Master of Moulins (active ca 1483 or eariler)
• Media or other details:  painting
• Publisher / Gallery: National Gallery, London - c.1960s
• Postally used:  no
• Stamp & postmark details (if relevant): n/a
• Size: Modern
• Notes & condition details: NB - has half cm nick in side and bumped corner

NOTES:

Size: 'Modern' is usually around 6in x 4in or larger / 'Old Standard' is usually around 5½in x 3½in. Larger sizes mentioned, but if you need to know the exact size please ask as this can vary.

All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of aging and use, particularly if sent through the post. Any faults other than normal ageing are noted.

Stock No.: A30

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Postage & Packing:

UK (incl. IOM, CI & BFPO): 99p

Europe: £1.60

Rest of world (inc. USA etc): £2.75

No additional charges for more than one postcard. You can buy as many postcards from me as you like and you will just pay the fee above once. (If buying postcards with other things such as books, please contact or wait for invoice before paying).

Payment Methods:

UK - PayPal, Cheque (from UK bank) or postal order

Outside UK: PayPal or Google Checkout ONLY please.   NO non-UK currency checks or money orders (sorry).

NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:

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Jean Hey (or Jean Hay) (fl. ca. 1475 – ca. 1505),^[1] now generally identified with the artist formerly known as the Master of Moulins, was an Early Netherlandish painter working in France and the Duchy of Burgundy, and associated with the court of the Dukes of Bourbon

Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him.^[3] The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family.^[1][4] Stylistic similarities link this painting to the works attributed to the Master of Moulins.^[4] The Master of Moulins appears to have been the court painter for the Bourbons,^[5] and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perréal and Jean Prévost, have proven untenable in the light of subsequent research.^[5] The term "Teutonicus", or "German" included Flemings at this date.