Leatherhead, Surrey - Parish Church - early undivided back postcard c.1901

• Postcard

   

• Picture / Image:  Parish Church, Leatherhead [Surrey] (early undivided back postcard - these were the norm before the rules changed on writing the message on the address side in 1902)
• Publisher: 'Penny Photo'?
• Postally used: no
• Stamp:  n/a
• Postmark(s): n/a
• Sent to:  n/a
• Notes / condition: 

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information (internal links may not  work) :

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Leatherhead is a town in Surrey, England on the right bank of the River Mole, and at the edge of the contiguous built-up area of London. Its local district is Mole Valley. Records exist of the place from Anglo Saxon England. It has a combined theatre and cinema, which is at the centre of the re-modelling following late 20th century pedestrianisation. The streets bypassing the town centre close and feature in the annual London-Surrey cycle classic.

Just north-east of the midpoint of Surrey[n 1] and at a junction of ancient north–south and east–west roads, elements of the town have been a focus for transport throughout its history. A main early spur to this was the construction of the bridge over the seasonally navigable River Mole in the early medieval period.[3] Later the Swan Hotel provided 300 years of service to horse-drawn coaches. In the late 20th century the M25 motorway was built nearby. Leatherhead is typical of many towns which form part of the London commuter belt with many residents commuting daily into the capital.

The Church of St. Mary & St. Nicholas is an Anglican parish church in Leatherhead, Surrey, England. Dating originally to around the 11th century,[1] it remains a place of worship to this day. It is a Grade II* listed building.[2]

The body of the church mostly dates to the early 13th century (Nikolaus Pevsner dating the nave to c. 1210): the nave arcades are typical of the French late-Transitional style then sweeping south-east England. The tower was built in the late 15th century: its large-scale angle buttresses, flattened perpendicular arches and windows (with their cinquepartite cusping) and carved spandrels above the West Door mark it out from the rest of the building, as (with the exception of the south transept window) all other perpendicular details are small and simple, without any of the splendour of those on the tower. Many of them were heavily restored in the 19th century by Arthur Blomfield, having been plastered over in the 17th century – some of this plaster can still be seen on the south wall of the south aisle. The two frescoes of the Annunciation on either side of the chancel arch are painted by Messrs Buckeridge and Floyce.[3] The stained glass windows in the church date back to the mid-19th century. [4]