Godwin, Fay - Martin Amis (1975) - photographic art postcard

Art Postcard
• Work of art title: Martin Amis (1975)
• Artist (if known): Fay Godwin
• Media or other details:  photograph
• Publisher / Gallery: The British Library, c.2000s
• Postally used:  no
• Stamp & postmark details (if relevant): na
• Size: modern
• Notes & condition details:

NOTES:

Size: 'Modern' is usually around 6in x 4in / 'Old Standard' is usually around 5 1/2in x 3 1/2in. Larger sizes mentioned, but if you need to know the exact size please ask.

All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of ageing and use, particularly sent through the post. Any faults other than normal ageing are noted.

Stock No.: A753

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NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!

I will give a full refund if you are not fully satisfied with the postcard.

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:

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Fay Godwin (17 February 1931 – 27 May 2005) was a British photographer known for her black-and-white landscapes of the British countryside and coast.

Through her husband, Godwin was introduced to the London literary scene.^[2] She produced portraits of dozens of well-known writers, photographing almost every significant literary figure in 1970s and 1980s England, as well as numerous visiting foreign authors.^[3] Her subjects, typically photographed in the sitters' own homes, included Kingsley Amis, Philip Larkin, Saul Bellow, Angela Carter, Margaret Drabble, Günter Grass, Ted Hughes, Clive James, Philip Larkin, Doris Lessing, Edna O'Brien, Anthony Powell, Salman Rushdie, Jean Rhys, and Tom Stoppard.

After the publication of her first books—Rebecca the Lurcher (1973) and The Oldest Road: An Exploration of the Ridgeway (1975), co-authored with J.R.L. Anderson—she was a prolific publisher, working mainly in the landscape tradition to great acclaim and becoming the nation's most well-known landscape photographer. Her early and mature work was informed by the sense of ecological crisis present in late 1970s and 1980s England.

In the 1990s she was offered a Fellowship at the National Museum of Photography, Film and Television (now the National Media Museum) in Bradford, which pushed her work in the direction of colour and urban documentary.

She also began taking close-ups of natural forms. A major exhibition of that work was toured by Warwick Arts Centre from 1995 to 1997; Godwin self-published a small book of that work in 1999, called Glassworks

In the 1990s she was offered a Fellowship at the National Museum of Photography, Film and Television (now the National Media Museum) in Bradford, which pushed her work in the direction of colour and urban documentary.

She also began taking close-ups of natural forms. A major exhibition of that work was toured by Warwick Arts Centre from 1995 to 1997; Godwin self-published a small book of that work in 1999, called Glassworks & Secret Lives (ISBN 0953454517), which was distributed from a small local bookshop in her adopted hometown of Hastings in East Sussex.^[2]

The slipcase Rainbow Press 1979 first edition of Remains of Elmet: A Pennine Sequence, her book collaboration with poet Ted Hughes, has become highly collectible and fetches several thousand pounds. The book was also published in popular form by Faber and Faber (with poor reproduction of the images), and then re-published by them in 1994 simply as Elmet with a third of the book being new additional poems and photographs. Hughes called the 1994 Elmet the ""definitive"" edition. Godwin also said, in a 2001 interview^{[citation needed]}, that this was the book she would like to be most remembered for.

In an obituary for The Guardian, art critic Ian Jeffrey called her 1985 book Land (ISBN 0434303054), published by Heinemann, the ""book for which she will be most remembered"":^[4]

Designed by Ken Garland, it is stylish in the classic mode, but what sets Land apart is the care that Fay gave to the combining and sequencing of its pictures. Working with contact prints on a board, she put together a picture of Britain as ancient terrain—stony, windswept and generally worn down by the elements....[a work] in the neo-romantic tradition...[that] gives an oddly desolate account of Britain, as if reporting on a long abandoned country.

Godwin's last major retrospective was at the Barbican Centre, London in 2001. A retrospective book, Landmarks, was published by Dewi Lewis in 2002.^[5]

type=printed postcards

theme=artists signed

sub-theme=art

number of items=single

period=1945 - present

postage condition=unposted