Fox Talbot, William Henry - The Ladder (Lacock Abbey, Wiltshire) 1844 photo

Art Postcard
• Work of art title:  The Ladder [Laycock Abbey, Wiltshire], April 1844
• Artist (if known):  William Henry Fox Talbot
• Media or other details:  salted paper print
• Publisher / Gallery:  The British Library, c. 2005
• Postally used:  no
• Stamp & postmark details (if relevant): na
• Size: Modern
• Notes & condition details:

NOTES:

Size: 'Modern' is usually around 6in x 4in / 'Old Standard' is usually around 5�in x 3�in. Larger sizes mentioned, but if you need to know the exact size please ask.

All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of ageing and use, particularly sent through the post. Any faults other than normal ageing are noted.

Stock No.: A214

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:

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William Henry Fox Talbot (11 February 1800 � 17 September 1877) was a British inventor and a pioneer of photography. He was the inventor of calotype process, the precursor to most photographic processes of the 19th and 20th centuries. He was also a noted photographer who made major contributions to the development of photography as an artistic medium. His work in the 1840s on photo-mechanical reproduction led to the creation of the photoglyphic engraving process, the precursor to photogravure. Talbot is also remembered as the holder of a patent which, some say, affected the early development of commercial photography in Britain. Additionally, he made some important early photographs of Oxford, Paris, and York.^[1]

Talbot was known by his second name Henry, rather than William. It is commonly assumed that ""Fox Talbot"" is an unhyphenated double-barrelled surname. However, Fox was his mother's maiden name and was not passed on to his children. Some historians have therefore argued that he should be referred to as ""Talbot"" rather than ""Fox Talbot"".^[2][3] Nevertheless, although he signed his name as ""H.F. Talbot"" as well as ""H. Fox Talbot"", he was most often referred to by his contemporaries, including his mother, as ""Mr Fox Talbot"" or ""Mr H Fox Talbot"". ""H Fox Talbot"" was also the style he chose for his most important publications, including The Pencil of Nature.

Talbot said he engaged his photographic experiments beginning in early 1834, well before 1839, when Louis Daguerre exhibited his pictures taken by the sun. After Daguerre's discovery was announced (without details), Talbot showed his five-year-old pictures at the Royal Institution on 25 January 1839. Within a fortnight, he freely communicated the technical details of his photogenic drawing process to the Royal Society. Daguerre would not reveal the manipulatory details of his process until August. In 1841, Talbot announced his discovery of the calotype, or talbotype, process. This process reflected the work of many predecessors, most notably John Herschel and Thomas Wedgwood. In August 1841, Talbot licensed Henry Collen, the miniature painter (1798-1879) as the first professional calotypist. Talbot's original contributions included the concept of a negative from which many positive prints can be made (although the terms negative and positive were coined by Herschel), and the use of gallic acid for developing the latent image. In 1842, for his photographic discoveries, which are detailed in his The Pencil of Nature (1844), he received the Rumford Medal of the Royal Society.^[5]