A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition
A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition

A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition

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This listing is for A Book of Operas Hardcover by Henry Edward Krehbiel 1927 Edition.  

Hardcover, 345 Pages
1927, Garden City Publishing

A Book of Operas Their Histories, Their Plots, and Their Music was written by Henry Krehbiel. The book begins at the beginning of opera in the United States "The history of what is popularly called Italian opera begins in the United States with a performance of Rossini's lyrical comedy "Il Barbiere di Siviglia"; it may, therefore, fittingly take the first place in these operatic studies. The place was the Park Theatre, then situated in Chambers Street, east of Broadway, and the date November 29, 1825. " Operas covered in this book are Il Barbiere di Siviglia, Le Nozze di Figaro, Die Zauberflote, Don Giovanni, Fidelio, Faust, Mefistofele, La Damnation de Faus, La Traviata, Aida, Der Freischutz, Tannhauser, Tristan und Isolde, Parsifal, Die Meistersinger von Nurnberg, Lohengrin, and Hansel und Gretel

Excerpt "nor Angrisani, and Signor Crivelli, the younger. The opera was given twenty-three times in a season of seventy-nine nights, and the receipts ranged from $1843 on the opening night and $1834 on the closing, down to $356 on the twenty-ninth night. But neither Phillipps nor Garcia was the first to present an operatic version of Beaumarchais's comedy to the American people. French operas by Rousseau, Monsigny, Dalayrac, and Gretry, which may be said to have composed the staple of the opera-houses of Europe in the last decades of the eighteenth century, were known also in the contemporaneous theatres of Charleston, Baltimore, Philadelphia, and New York. In 1794 the last three of these cities enjoyed "an opera in 3 acts," the text by Colman, entitled, "The Spanish Barber; or, The Futile Precaution." Nothing is said in the announcements of this opera touching the authorship of the music, but it seems to be an inevitable conclusion that it was Paisiello's, composed for St. Peter"

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