Writer - Alan Bennett - Derry Moore photo 1992 - NPG postcard

Postcard
• Picture / Image:  Alan Bennett, b 1934 by Derry Moore 1992, colour print
• Publisher:  National Portrait Gallery, c.2000s
• Postally used:  no
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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information (internal links may not  work) :

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Alan Bennett (born 9 May 1934) is an English playwright, screenwriter, actor and author. He was born in Leeds and attended Oxford University where he studied history and performed with the Oxford Revue. He stayed to teach and research medieval history at the university for several years. His collaboration as writer and performer with Dudley Moore, Jonathan Miller and Peter Cook in the satirical revue Beyond the Fringe at the 1960 Edinburgh Festival brought him instant fame. He gave up academia, and turned to writing full-time, his first stage play Forty Years On being produced in 1968.

His work includes The Madness of George III and its film adaptation, the series of monologues Talking Heads, the play and subsequent film The History Boys, and popular audio books, including his readings of Alice's Adventures in Wonderland and Winnie-the-Pooh.

In August 1960 Bennett, along with Dudley Moore, Jonathan Miller and Peter Cook, achieved instant fame by appearing at the Edinburgh Festival in the satirical revue Beyond the Fringe. After the festival, the show continued in London and New York. He also appeared in My Father Knew Lloyd George. His highly regarded television comedy sketch series On the Margin (1966) was unfortunately erased; the BBC re-used expensive videotape rather than keep it in the archives. However, in 2014 it was announced that copies of the entire series had been found.

Around this time Bennett often found himself playing vicars and claims that as an adolescent he assumed he would grow up to be a Church of England clergyman, for no better reason than that he looked like one.

Bennett's first stage play Forty Years On, directed by Patrick Garland, was produced in 1968. Many television, stage and radio plays followed, with screenplays, short stories, novellas, a large body of non-fictional prose, and broadcasting and many appearances as an actor.

Bennett's distinctive, expressive voice (which bears a strong Leeds accent) and the sharp humour and evident humanity of his writing have made his readings of his work very popular, especially the autobiographical writings. Bennett's readings of the Winnie the Pooh stories are also widely enjoyed.

Many of Bennett's characters are unfortunate and downtrodden. Life has brought them to an impasse or else passed them by. In many cases they have met with disappointment in the realm of sex and intimate relationships, largely through tentativeness and a failure to connect with others.

Despite a long history with both the National Theatre and the BBC - Bennett never writes on commission, declaring ""I don't work on commission, I just do it on spec. If people don't want it then it's too bad.""^[3]

Bennett is both unsparing and compassionate in laying bare his characters' frailties. This can be seen in his television plays for LWT from the early 1970s through to his work for the BBC in the early 1980s. His many works for television include his first play for the medium, A Day Out in 1972, A Little Outing in 1977, Intensive Care in 1982, An Englishman Abroad in 1983, and A Question for Attribution in 1991.^[4] But his perhaps most famous screen work is the 1987 Talking Heads series of monologues for television which were later performed at the Comedy Theatre in London in 1992. This was a sextet of poignantly comic pieces, each depicting several stages in the character's decline from an initial state of denial or ignorance of their predicament, through a slow realisation of the hopelessness of their situation, progressing to a bleak or ambiguous conclusion. A second set of six Talking Heads followed a decade later, which was darker and more disturbing.

In his 2005 prose collection Untold Stories Bennett has written candidly and movingly of the mental illness that his mother and other family members suffered. Much of his work draws on his Leeds background and while he is celebrated for his acute observations of a particular type of northern speech (""It'll take more than Dairy Box to banish memories of Pearl Harbour""), the range and daring of his work is often undervalued. His television play The Old Crowd includes shots of the director and technical crew, while his stage play The Lady in the Van includes two characters named Alan Bennett.

The Lady in the Van was based on his experiences with a tramp called Miss Shepherd, who lived on Bennett's driveway in several dilapidated vans for more than fifteen years. A radio play of the same title was broadcast on 21 February 2009 on BBC Radio 4, with actress Maggie Smith reprising her role of Miss Shepherd and Alan Bennett playing himself. The work has also been published in book form. Alan Bennett adapted The Lady in the Van for the stage.

Bennett adapted his 1991 play The Madness of George III for the cinema. Entitled The Madness of King George (1994), the film received four Academy Award nominations: for Bennett's writing and the performances of Nigel Hawthorne and Helen Mirren. It won the award for best art direction.

Bennett's critically acclaimed The History Boys won three Laurence Olivier Awards in 2005, for Best New Play, Best Actor (Richard Griffiths), and Best Direction (Nicholas Hytner), having previously won Critics' Circle Theatre Awards and Evening Standard Awards for Best Actor and Best Play. Bennett also received the Laurence Olivier Award for Outstanding Contribution to British Theatre.^[5] The History Boys won six Tony Awards on Broadway, including best play, best performance by a leading actor in a play (Richard Griffiths), best performance by a featured actress in a play (Frances de la Tour), and best direction of a play (Nicholas Hytner). A film version of The History Boys was released in the UK in October 2006.

Bennett wrote the play Enjoy in 1980. It was one of the rare flops in his career and barely scraped a run of seven weeks at the Vaudeville Theatre, in spite of the stellar cast of Joan Plowright, Colin Blakely, Susan Littler, Philip Sayer, Liz Smith (who replaced Joan Hickson during rehearsals) and, in his first West End role, Marc Sinden. It was directed by Ronald Eyre.^[6] A new production of Enjoy attracted very favourable notices during its 2008 UK tour^[7] and moved to the West End of London in January 2009.^[8] The West End show took over £1m in advance ticket sales^[9] and even extended the run to cope with demand.^[10] The production starred Alison Steadman, David Troughton, Richard Glaves, Carol Macready and Josie Walker.

At the National Theatre in late 2009 Nicholas Hytner directed Bennett's play The Habit of Art, about the relationship between the poet W.H. Auden and the composer Benjamin Britten.^[11]

Bennett's new play People opened at the National Theatre in October 2012.^[12]

type=printed

gender=men

period=post-war (1945 - present)

postage condition=unposted

number of items=single

size=continental/ modern (150x100mm)