The Chesterfield Kings - Stop! Vinyl LP Record Album Mirror 10

This listing is for The Chesterfield Kings - Stop! Vinyl LP Record Album Mirror 10.

Label: Mirror Records Inc. – Mirror 10
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: Rock
Style: Garage Rock

Condition: Jacket: Very Good Vinyl: Very Good

Tracklist:

A1 Stop 2:01
A2 It's Alright 2:10
A3 I Cannot Find Her 2:06
A4 Cry Your Eyes Out 2:28
A5 You Belong To Me 2:04
A6 Say You're Mine 1:45
B1 She Told Me Lies 2:13
B2 Fight Fire 2:08
B3 I Don't Know Why 2:34
B4 She's Got No Time 1:57
B5 My Canary Is Yellow 1:42
B6 Bad Woman 2:13

The Chesterfield Kings were a rock band from Rochester, New York, who began as a retro-1960s garage band, and who have heavily mined 1960s music, including some borrowing from the 1960s recordings of The Rolling Stones. Core members were former Distorted Level singer, underground music journalist and avid record collector Greg Prevost (founder of the band), and Andy Babiuk (16 years old at the time of joining the band); others have come and gone. The band, named after a defunct brand of unfiltered cigarette, was instrumental in sparking the 1980s garage band revival that launched such groups as the Unclaimed, Marshmallow Overcoat, The Fuzztones, The Malarians, Mystic Eyes, The Cynics, The Optic Nerve, the Secret Service, and the Stomachmouths.

The early Kings were a late-1970s recreation of a mid-1960s garage band sound. Their self-released first single (Living Eye Records, LSD-1) was a cover of The Brogues' 1965 "I Ain't No Miracle Worker" b/w The Heard's 1967 "Exit 9". In a deliberate effort to create their own rare garage-band collectible singles, only 1000 copies were pressed.

Their first broader public exposure came when a track on Greg Shaw's 1981 Bomp! Records compilation Battle of the Garage netted them a series of dates at the Peppermint Lounge in New York City. They continued with this 1960s garage sound through the mid-1980s, releasing two albums—Here are the Chesterfield Kings (1982) which contained entirely cover songs, and Stop! (1985) which introduced their first originals. They then turned to a harder-edged rock sound for Don't Open Till Doomsday (1987) and Berlin Wall of Sound (1989) featuring the blues guitar work of new band member Paul Rocco. The group's next album was an acoustic blues record Drunk On Muddy Water (1990).

CONDITION Descriptions:

I base the condition of each of my Records off of 's Grading System.

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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