Sisley, Alfred - The Orchard - Dutch art postcard
- Condition : Used
- Dispatch : 2 Days
- Brand : None
- ID# : 72035783
- Quantity : 1 item
- Views : 245
- Location : United Kingdom
- Seller : justthebook (+1694)
- Barcode : None
- Start : Mon 13 Aug 2012 11:35:37 (EDT)
- Close : Run Until Sold
- Remain : Run Until Sold

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Seller's Description
- Art Postcard
- Work of art title: The Orchard / Boomgaard
- Artist (if known): Alfred Sisley, 1839-1899
- Media or other details: painting
- Publisher / Gallery: Museum Boymans -van Beuningen, Rotterdam
- Postally used: no
- Stamp & postmark details (if relevant): na
- Size: modern
- Notes & condition details:
NOTES:
Size: 'Modern' is usually around 6in x 4in / 'Old Standard' is usually around 5 1/2in x 3 1/2in. Larger sizes mentioned, but if you need to know the exact size please ask.
All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of ageing and use, particularly sent through the post. Any faults other than normal ageing are noted.
Stock No.:A294
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Postage & Packing:
UK (incl. IOM, CI & BFPO): 99p
Europe: GBP 1.60
Rest of world (inc. USA etc): GBP 2.75
No additional charges for more than one postcard. You can buy as many postcards from me as you like and you will just pay the fee above once. (If buying postcards with other things such as books, please contact or wait for invoice before paying).
Payment Methods:
UK - PayPal, Cheque (from UK bank) or postal order
Outside UK: PayPal only please (unless otherwise indicated). NO non-UK currency checks or money orders (sorry).
NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!
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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:
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Alfred Sisley (French pronunciation: [al.f??d sis.l?]) (30 October 1839 � 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors). He never deviated into figure painting and, unlike Renoir and Pissarro, never found that Impressionism did not fulfill his artistic needs.
Among his important works are a series of paintings of the River Thames, mostly around Hampton, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing.
Sisley was born on 30 October 1839 in Paris to affluent British parents. His father, William Sisley, was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur.
In 1857 at the age of 18 Sisley was sent to London to study for a career in business; but he abandoned it after four years and returned to Paris in 1861. From 1862 he studied at the Paris �cole des Beaux-Arts within the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr�d�ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air rather than in the studio, in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Their works were usually rejected by the jury of the most important art exhibition in France, the annual Salon. During the 1860s, though, Sisley was in a better financial position than some of his fellow artists, as he received an allowance from his father.
In 1866 Sisley began a relationship with Eug�nie Lesouezec (1834�1898; also known as Marie Lescouezec), a Breton living in Paris. The couple produced two children: son Pierre (born 1867) and daughter Jeanne (1869).[1] At the time Sisley lived not far from Avenue de Clichy and the Caf� Guerbois, the gathering-place of many Parisian painters.
In 1868 his paintings were accepted at the Salon, but the exhibition did not bring him financial or critical success; nor did subsequent exhibitions.
type=printed postcards
Listing Information
Listing Type | Gallery Listing |
Listing ID# | 72035783 |
Start Time | Mon 13 Aug 2012 11:35:37 (EDT) |
Close Time | Run Until Sold |
Starting Bid | Fixed Price (no bidding) |
Item Condition | Used |
Bids | 0 |
Views | 245 |
Dispatch Time | 2 Days |
Quantity | 1 |
Location | United Kingdom |
Auto Extend | No |