Ray Conniff – I Will Survive Vinyl LP Record Album PC 36255

Detailed Condtion : What You See Is What You Get! (WYSIWYG) I DON'T use STOCK IMAGES, so what you see in the photos is the actual item you will receive. All items are in Very Good to NEW condition as noted in the listing. See my photos and listing details for additional information!

This listing is for Ray Conniff – I Will Survive Vinyl LP Record Album PC 36255.

Label: Columbia – PC 36255

Format: Vinyl, LP

Country: US

Released: 1979

Genre: Jazz, Pop

Style: Easy Listening  

Condition:   Jacket:   Very Good           Vinyl:  Very Good

Tracklist:

A1 I Will Survive 3:15

A2 Reunited 4:22

A3 I Want Your Love 3:29

A4 She Believes In Me 4:08

A5 Practice Makes Perfect 2:34

B1 If Not For You 3:02

B2 Halleluya 3:14

B3 The Twenty-Third Psalm 2:55

B4 Little Music Box Dancer 2:40

B5 Love You Inside Out 3:38

Joseph Raymond Conniff (November 6, 1916 – October 12, 2002) was an American bandleader and arranger best known for his Ray Conniff Singers during the 1960s. After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he joined the Artie Shaw big band and wrote many arrangements for him. After his stint with Shaw, he was then hired by Mitch Miller in 1954, then head of A&R at Columbia Records, as their home arranger, working with several artists including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top 10 arrangement for Don Cherry's "Band of Gold" in 1955, a single that sold more than a million copies. Among the hit singles he backed with his orchestra (and eventually with a male chorus) were "Yes Tonight Josephine" and "Just Walkin' in the Rain" by Johnnie Ray; "Chances Are" and "It's Not for Me to Say" by Johnny Mathis; "A White Sport Coat" and "The Hanging Tree" by Marty Robbins; "Moonlight Gambler" by Frankie Laine; "Up Above My Head," a duet by Frankie Laine and Johnnie Ray; and "Pet Me, Poppa" by Rosemary Clooney. He also backed up the albums Tony by Tony Bennett, Blue Swing by Eileen Rodgers, Swingin' for Two by Don Cherry, and half the tracks of The Big Beat by Johnnie Ray. In these early years he produced similar-sounding records for Columbia's Epic label under the name of Jay Raye (which stood for "Joseph Raymond") among them a backing album and singles with Somethin' Smith and the Redheads, an American male vocal group.

Between 1957-68, Conniff had 28 albums in the American Top 40, the most famous one being Somewhere My Love (1966). He topped the album list in Britain in 1969 with His Orchestra, His Chorus, His Singers, His Sound, an album which was originally published to promote his European tour (Germany, Austria, Switzerland) in 1969. He also was the first American popular artist to record in Russia—in 1974 he recorded Ray Conniff in Moscow with the help of a local choir. His later albums like Exclusivamente Latino, Amor Amor, and Latinisimo made him very popular in Latin-American countries, even more so after performing in the Viña del Mar International Song Festival. In Brazil and Chile in the 1980s and 1990s, he was treated like a young pop superstar despite being in his seventies and eighties. He played live with his orchestra and eight-person chorus in large football stadiums as well as in Viña del Mar.

Conniff commented, "One time I was recording an album with Mitch Miller - we had a big band and a small choir. I decided to have the choir sing along with the big band using wordless lyrics. The women were doubled with the trumpets and the men were doubled with the trombones. In the booth Mitch was totally surprised and excited at how well it worked." Because of the success of his backing arrangements, and the new sound Conniff created, Miller allowed him to make his own record, and this became the successful ’s Wonderful!, a collection of standards that were recorded with an orchestra and a wordless singing chorus (four men, four women). He released many more albums in the same vein, including ’s Marvelous (1957, gold album), ’s Awful Nice (1958), Concert in Rhythm (1958, gold album), Broadway in Rhythm (1958), Hollywood in Rhythm (1959), Concert in Rhythm, Vol. II (1960), Say It With Music (1960), Memories Are Made of This (1960, gold album), and ’s Continental (1962). His second album was Dance the Bop! (1957). It was an experiment by one of the senior managers at Columbia to cash in on a new dance step, but from the outset, Conniff disliked it. When it sold poorly, he had it withdrawn.

CONDITION Descriptions:

I base the condition of each of my Records off of 's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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