Ray Conniff Concert In Rhythm Volume II Vinyl LP Record Album MONO CL-1415

This listing is for Ray Conniff His Orchestra And Chorus – Concert In Rhythm Volume II Vinyl LP Record Album MONO CL-1415.

Label: Columbia – CL 1415

Format: Vinyl, LP, Album, Mono

Country: US

Released: 1960

Genre: Jazz, Classical

Style: Easy Listening  

Condition:   Jacket:     Very Good         Vinyl:   Very Good

Tracklist:

A1 An Improvisation On "Liebestraum" 2:29

A2 Yours Is My Heart Alone 2:51

A3 An Improvisation On "None But The Lonely Heart"" 3:19

A4 I'll See You Again 2:27

A5 An Improvisation On "My Heart At Thy Sweet Voice" 2:56

A6 An Improvisation On The Fibich "Poéme" 2:46

B1 Warsaw Concerto 2:58

B2 An Improvisation On Chopin's "Nocturne In E-Flat" 2:43

B3 An Improvisation On "Dance Of The Sugar Plum Fairy" 2:47

B4 Favorite Themes From Tchaikovsky's Sixth Symphony ("Pathetique") 2:38

B5 Favorite Themes From Greig's A Minor Piano Concerto 2:51

B6 "One Fine Day" (From Madame Butterfly) 2:54

In this second Concert in Rhythm, Ray Conniff once again enlivens some splendid themes from the symphonic and theatrical masters, presenting them in a series of delightful "improvisations" that give them his inimitable and irresistible dancing beat. In this delectable enterprise he is assisted by the Conniff Singers and pianist Bernie Leighton, who provides the sparkling interludes in the Chopin and Grieg selections, Addinsell's Warsaw Concerto and the themes from Tchaikovsky Pathétique symphony. Other composers represented are Liszt, Saint-Saëns, Puccini, and ó from the operetta classics ó Lehar and Noel Coward. This second Concert In Rhythm is represented in response to literally thousands of requests, for so popular has Ray's dance music become that he is touring the country giving concerts, where listening, rather than dancing, is the order of the evening. (At home, of course, there is no barrier to dancing, even through the concerts.) But whether you are listening or dancing, there are the wonderful blends of colors and voicings, the incomparably right tempos, and the delightful improvisations and arrangements of Ray Conniff for your continuing pleasure.

CONDITION Descriptions:

I base the condition of each of my Records off of 's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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