Pickering, N Yorkshire - St. Christopher Church murals - RP postcard by Boak

• Postcard

   

• Picture / Image:  Mural Paintings in Pickering Church [North Yorkshire]
• Publisher: Boak & Sons - c.1940s or 1950s
• Postally used: no
• Stamp:  n/a
• Postmark(s): n/a
• Sent to:  n/a
• Notes / condition: 

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information (internal links may not  work) :

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Pickering is an ancient market town and civil parish in the Ryedale district of North Yorkshire, England, on the border of the North York Moors National Park. Historically part of the North Riding of Yorkshire, it sits at the foot of the moors, overlooking the Vale of Pickering to the south. According to legend the town was founded by King Peredurus around 270 BC; however, the town as it exists today is of medieval origin.[citation needed] The legend has it that the king lost his ring and accused a young maiden of stealing it, but later that day the ring was found in a pike caught in the River Costa for his dinner. The king was so happy to find his ring he married the young maiden; the name Pike-ring changed over the years to Pickering. It is a nice tale told to fit the name, but it is not the origin. Pickering is thought to be named after the followers of an Anglian man named Picer or some such personal name – the Picer-ingas.

The tourist venues of Pickering Parish Church, with its medieval wall paintings, Pickering Castle, the North Yorkshire Moors Railway and Beck Isle Museum have made Pickering popular with visitors. Nearby places include Malton, Norton-on-Derwent and Scarborough.

The Church of St Peter and St Paul, Pickering is the parish church of the market town of Pickering in the county of North Yorkshire. The church sits on the top of a small hill in the centre of the town and its spire is visible across the Ryedale district. The church is part of the Church of England Diocese of York, and houses a collection of medieval wall paintings. It is a Grade I listed building.[1]

The first church to stand on the current site is believed to have been built in the Anglo-Saxon era. Little is known about the first church, but remains from its construction can be seen inside the current building, including the stone font and a carved cross shaft.[2] The church was rebuilt in c. 1140, and significant additions were made in the following decades, including a north aisle in 1150 and the south aisle in 1190.[3] In about 1200 drastic alterations were made due to the collapse of the tower, which had until then sat in the centre of the building.[3] The tower was replaced, but with a new structure at the west end of the church, to which the spire was later added. The chancel was enlarged in 1300, in order 'to accommodate the increasingly elaborate church services of the time', resulting in the unusual situation that the east end of the church is wider than its nave.[4] The church features two chantry chapels, which were built to the north and south of the sanctuary: the north chantry chapel, built in 1337, originally contained the effigy of Sir William Bruce,[5] though his remains were relocated to the chancel step in order to accommodate the present organ; the south chantry chapel, built in 1407, contains two effigies, of Sir David and Dame Margery Roucliffe, which are still in situ. The last major structural alterations were carried out in the 15th century when the walls of the nave were raised and clerestory windows added.[4] It was onto these that the church's wall paintings were painted.

Pickering Parish Church is famous for its collection of medieval wall paintings, which follow the medieval liturgical calendar.[6] These were believed to have been commissioned in 1450, but were covered over in the next century with the Protestant Reformation.[2] Their discovery in 1852 was an accident, caused by plaster falling from the wall. Though he initially had them uncovered, the vicar at the time, the Reverend F. Ponsonby, disliked the paintings and insisted they be recovered, much to the frustration of the then-Archbishop of York.[6] Ponsonby instructed WH Dykes to sketch the discoveries, but then had the images whitewashed. However, in 1876, a new vicar, the Reverend GH Lightfoot, took the decision to remove the whitewash and restore the paintings.[7] The paintings cover the majority of the nave walls, depicting scenes from the Lives of the Saints,[8] the seven corporal acts of mercy, the Passion and the Resurrection of Christ, and also the Harrowing of Hell.