Margaret Cho - Revolution by Margaret Cho DVD

This listing is for Margaret Cho - Revolution by Margaret Cho DVD.

Actors: Margaret Cho, Bruce Daniels

Director: Lorene Machado

Producers: Dennis Sugasawara, Karen Taussig, Lorene Machado, Margaret Cho, Nisha Ganatra

Writers: Margaret Cho

MPAA rating: Unrated (Not Rated)

Media Format: Color, Widescreen, NTSC

Run time: 1 hour and 25 minutes

Release date: August 17, 2004

Language: English (Dolby Digital 5.1), English (Dolby Digital 2.0 Stereo)

Studio: Wellspring

Number of discs: 1  

Filmed live at the Wiltern Theatre in Los Angeles, REVOLUTION is comedian Margaret Cho's triumphant return to the screen with the same unbridled, no holds-barred humor that infused her previous two concert films. In REVOLUTION, Margaret tackles the axis of evil, her travels through Thailand's red light district, the explosion of child birth, bartering sex for household chores, revolutionizing one's self-esteem, the joy of bodily functions, her loser ex-boyfriend, and of course, her now world-famous mother. Known as much for her social activism as she is for her raunchy humor, Margaret is a one-of-a-kind phenomenon who once again brings her distinctive and empowering personal voice to her devoted and adoring fans. 

DVD extras include: 

• Bruce Daniels (opening act) 

• Behind-the-scenes 

• Commentary from Margaret Cho and Bruce Daniels 

• Clip from "Behind the Revolution" and "Cho Daniels Report" 

• Trailers

Margaret Cho does not suffer well the by-now-clichéd expression, "Don't go there." As Cho remarks near the end of her characteristically passionate one-woman show, "I live there. I bought a house there." "There" for Margaret Cho is graphic descriptions of sexual acts, gay and straight, and bodily functions, impersonating a Bangkok sex-show barker, and other matters addressed in her singular frank and explicit style. Two hysterical rants that can be printed here involve being served an Asian Chicken Salad and all the reasons she will never be cast in a period film. Cho Revolution is more fitfully paced than her previous concert films, but she saves the best, and her most righteous anger, for last, when she addresses negative body image, racism, and homophobia. Here, she drops the attitude and gets real. She may be preaching to the converted (a Cho audience is nothing but idolatry), but it is a powerful sermon. Viva Cho!

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