London - Hampstead Garden Suburb, Barnet - St Jude's Church - postcard

Postcard
• Picture / Image:  'Proms at St Jude's June 2003' St Jude on the Hill, Central Square, London NW11
• Publisher:  artist Shizue Takahashi / the church?
• Postally used:  no
• Stamp:  n/a
• Postmark(s): n/a
• Sent to:  n/a
• Notes / condition: 

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information (internal links may not  work) :

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Hampstead Garden Suburb is a suburb, north of Hampstead, west of Highgate and east of Golders Green. It is an example of early twentieth-century domestic architecture and town planning located in the London Borough of Barnet in northwest London. The master plan was prepared by Barry Parker and Sir Raymond Unwin.

Despite the founders' original intentions, Hampstead Garden Suburb is now considered to be one of the wealthiest areas in the country.^[1]

Hampstead Garden Suburb was founded by Henrietta Barnett, who, with her husband Samuel, had started the Whitechapel Art Gallery and Toynbee Hall. In 1906, Barnett set up the Hampstead Garden Suburb Trust Ltd, which purchased 243 acres of land from Eton College for the scheme and appointed Raymond Unwin as its architect.^[2]

Among the scheme's aims were the following:

• It should cater for all classes of people and all income groups
• There should be a low housing density
• Roads should be wide and tree-lined
• Houses should be separated by hedges, not walls
• Woods and public gardens should be free to all
• It should be quiet, with no church bells

This required a private bill before Parliament, as it was counter to local bylaws. The provisions of the new act allowed less land to be taken up by roads and more by gardens and open spaces.^[2]

The ideas for the ""Garden Suburb"" were clearly based on the ideas and experience of Parker and Unwin in the planning and development of Letchworth Garden City, the first development of its kind, inspired by the work of Ebenezer Howard. Other consultant architects involved with the Hampstead development include George Lister Sutcliffe and John Soutar.

However, with no industry, no public houses and few shops or services, the suburb, unlike the garden cities, made no attempt to be self-contained.^[2] In the 1930s the ""Suburb"" (as it is known by locals) expanded to the north of the A1. While more characterful than most other suburban housing, some of the housing to the north is considered, overall, of less architectural value.

On Central Square, laid out by Sir Edwin Lutyens, there are two large churches, St. Jude's Church and The Free Church, as well as a Quaker Meeting House. There are two mixed state primary schools in the Suburb, Garden Suburb and Brookland. There is also a state girls' grammar school, Henrietta Barnett School. The school used to house The Institute, an adult education centre, but most of The Institute has now moved to accommodation in East Finchley, opposite the tube station, with the opening of a new purpose-built arts centre.

Shops and other services are provided in the shopping parades of Market Place and Temple Fortune, with Golders Green and East Finchley within walking distance for those who live at either end.

Little Wood contains an open air arena, which is used for summer theatrical performances by a local amateur theatre society.

Despite the founders' intentions, the steep increases in house prices across London combined with the continual expansion of the Greater London area and the very small proportion of housing association housing means that Hampstead Garden Suburb is now considered to be one of the wealthiest areas in the country.^[1]

Saint Jude-on-the-Hill (St Jude's) is the Parish Church of Hampstead Garden Suburb which was founded in 1907 by Henrietta Barnett to be a model community where all classes of people would live together in attractive surroundings and social harmony.

The church was built to the designs of Edwin Landseer Lutyens (1869–1944).

It is a hybrid. Simon Jenkins calls it ""the confident application of Queen Anne Revival to traditional church form"". Building began in 1909, but the west end was not completed until 1935. The church was consecrated on 7 May 1911. Externally it is 200 feet long and the spire rises 178 feet above the ground.

Inside, the church is 122 feet from the west door to the chancel steps, and forty feet to the highest part of the roof. The ceiling is barrel-vaulted and domed. There are three vaults between the west end and the crossing; a saucer dome over the crossing; one further vault over the crossing and a saucer dome over the sanctuary. The east end finishes in an apse completed in 1923.

The murals and paintings are by Walter Starmer (1877–1961). He began with the Lady Chapel in 1920 and finished with the apse in 1929. Starmer served with the Red Cross and YMCA in the First World War, and many of his paintings of the Western Front are in the Imperial War Museum.

The west window (dedicated 1937) is to the design of Starmer and depicts Saint Jude holding the cross in his right hand and this church in his left. Below is his symbol, the ship; above, Christ in glory, surrounded by the traditional symbols of the four evangelists.

On the north side of the west door is a memorial to the horses killed in the First World War. Made in 1970 by Rosemary Proctor (died 1995), it replaces the original bronze model of a horse by Lutyens' father, and its replacement, which were stolen. Near it is a memorial to Basil Bourchier, the first vicar, and, on the south pillar, a commemoration of the completion of the west end. In the north-west porch are portraits of former vicars.

The ceiling panels over the centre aisle depict: the wise men and the shepherds; Christ feeding the multitude and stilling the storm; Christ healing the blind and lepers; the crucifixion (dome); and the entry into Jerusalem with Christ carrying the cross (chancel).

The memorials on the north wall are to John Raphael, a popular sportsman killed in the First World War; to Father Maxwell Rennie, a bust by his daughter Rosemary Proctor; and, in the lunette above St George's altar, a painting by Starmer represents the last few moments in the life Michael Rennie, the Vicar's son, who died of exhaustion after rescuing several evacuee children after their ship, the City of Benares, had been torpedoed on its way to Canada in 1940.

The murals here and in the south aisle represent the teaching of Jesus in the parables of the kingdom. The Stations of the Cross, also by Starmer, begin here and continue into the south aisle.

The fine iron screens that flank the sanctuary are much older than the church and bear the name Matthias Heit and the date 1710. The sanctuary floor is patterned in brick and marble. The high altar includes two stones from Canada: a smaller dark one from the former French royal chapel of Annapolis Royal in Nova Scotia (where the first European settlement north of Florida was established in 1605, and where the first regular Church of England services were held in Canada in 1710), and a larger and lighter coloured one from the altar steps of Montreal Cathedral. The foundation stone on the north side of the chancel was laid on St Mark's Day 1910 and is by Eric Gill. The pulpit was also a gift from Canada.

Over the south door (into the car park) is a commemoration of the unveiling of the murals by the Prince of Wales in 1924, and, over the door, a figure of Christ by Rosemary Proctor in memory of her brother. Nearby, on the south wall, is a memorial to Edward VII.

type=printed

london borough=barnet

period=post-war (1945-present)

postage condition=unposted

number of items=single

size=continental/ modern (150x100 mm)