Chet Atkins And Floyd Cramer Country Music Cavalcade Country Guitar & Piano Box

Label: RCA – DPL3-0202

Series: Country Music Cavalcade

Format: 3 x Vinyl, LP, Compilation, Hard box set

Country: US

Released: 1975

Genre: Pop

Style: Country, Ballad

Condition: Jacket: Very Good Vinyl: Very Good

Tracklist:

A1 Chet Atkins – Theme From "A Summer Place"

A2 Chet Atkins – Calcutta

A3 Chet Atkins – Love Theme From "Romeo And Juliet"

A4 Chet Atkins – Yakety Axe

A5 Chet Atkins – Let It Be Me

B1 Chet Atkins – Till There Was You

B2 Chet Atkins – Alley Cat

B3 Chet Atkins – You'll Never Walk Alone

B4 Chet Atkins – Wheels

B5 Chet Atkins – Those Were The Days

C1 Chet Atkins – Hawaiian Wedding Song

C2 Chet Atkins – Never On Sunday

C3 Chet Atkins – Michelle

C4 Chet Atkins – Mister Sandman

C5 Chet Atkins – Sleep Walk

D1 Chet Atkins – Yesterday

D2 Chet Atkins – Yellow Bird

D3 Chet Atkins – Battle Hymn Of The Republic

D4 Chet Atkins – Malaguena

D5 Chet Atkins – Autumn Leaves

E1 Floyd Cramer – Last Date

E2 Floyd Cramer – Lovesick Blues

E3 Floyd Cramer – Java

E4 Floyd Cramer – On The Rebound

E5 Floyd Cramer – Chattanooga Choo-Choo

E6 Floyd Cramer – San Antonio Rose

F1 Los Indios Tabajaras – Maria Elena

F2 Los Indios Tabajaras – Spanish Harlem

F3 Los Indios Tabajaras – Love Is Blue

F4 Los Indios Tabajaras – The End Of The World

Chester Burton Atkins (June 20, 1924 – June 30, 2001), also known as "Mr. Guitar" and "The Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang. Atkins's signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes, Les Paul, and, later, Jerry Reed. His distinctive picking style and musicianship brought him admirers inside and outside the country scene, both in the United States and abroad. Atkins spent most of his career at RCA Victor and produced records for the Browns, Hank Snow, Porter Wagoner, Norma Jean, Dolly Parton, Dottie West, Perry Como, Floyd Cramer, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry Reed, Skeeter Davis, Waylon Jennings, Roger Whittaker, Ann-Margret and many others. Rolling Stone credited Atkins with inventing the "popwise 'Nashville sound' that rescued country music from a commercial slump" and ranked him number 21 on their list of "The 100 Greatest Guitarists of All Time". In 2023, Atkins was named the 39th best guitarist of all time. Among many other honors, Atkins received 14 Grammy Awards and the Grammy Lifetime Achievement Award. He also received nine Country Music Association awards for Instrumentalist of the Year. He was inducted into the Rock & Roll Hall of Fame, the Country Music Hall of Fame and Museum, and the Musicians Hall of Fame and Museum. George Harrison was also inspired by Chet Atkins; early Beatles songs such as "All My Loving" show the influence.

Floyd Cramer (October 27, 1933 – December 31, 1997) was an American pianist who became famous for his use of melodic "whole-step" attacks. He was inducted into both the Country Music Hall of Fame and the Rock and Roll Hall of Fame. His signature playing style was a cornerstone of the pop-oriented "Nashville sound" of the 1950s and 1960s. Cramer's "slip-note" or "bent-note" style, in which a passing note slides almost instantly into or away from a chordal note, influenced a generation of pianists. His sound became popular to the degree that he stepped out of his role as a sideman and began touring as a solo act. In 1960, his piano instrumental solo, "Last Date" went to number two on the Billboard Hot 100 pop music chart and sold over one million copies. Its follow-up, "On the Rebound", topped the UK Singles Chart in 1961. As a studio musician, he became one of a cadre of elite players dubbed the Nashville A-Team and he performed on scores of hit records.

CONDITION Descriptions:

I base the condition of each of my Records off of 's Grading System.

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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