Day & Age by The Killers (US) (CD, Nov-2008, Island (Label))new sealed

Detailed item info

Album Features
UPC: 602517872875
Artist: The Killers (US)
Format: CD
Release Year: 2008
Record Label: Island (Label)
Genre: Alternative, Rock & Pop

Track Listing
1. Losing Touch - (featuring Tommy Marth)
2. Human
3. Spaceman
4. Joy Ride - (featuring Daniel de los Reyes)
4. Joy Ride - (featuring Tommy Marth/Daniel de los Reyes)
5. Dustland Fairytale, A
5. A Dustland Fairytale
6. This Is Your Life
7. I Can't Stay - (featuring Daniel de los Reyes)
8. Neon Tiger
9. World We Live In, The
9. The World We Live In
10. Goodnight, Travel Well
10. Travel Well Goodnight

Details
Playing Time: 42 min.
Contributing Artists: Daniel De Los Reyes, Tommy Marth
Producer: The Killers, Stuart Price
Distributor: Universal Distribution
Recording Type: Studio
Recording Mode: Stereo
SPAR Code: n/a

Album Notes
Personnel: Tommy Marth (saxophone); Daniel de los Reyes (percussion).Audio Mixer: Stuart Price.Recording information: Battle Born Studio, Las Vegas, NV.On their third proper full-length, DAY & AGE, the Killers blend the glitzy glam of their smash debut, HOT FUSS, and the heartland rock of its follow-up, SAM'S TOWN, while throwing some stylistic curveballs along the way. Like HOT FUSS, DAY & AGE focuses on hooks and an energetic, highly polished sound. Yet it still manages to incorporate the experimental ambitions of its predecessor, this time out with a penchant for genre-hopping pastiche. Brazilian, blue-eyed soul, disco, and Afro-beat can be heard, all threaded into the Killers' trademark dance-rock.But even while expanding their arrangements with saxophones (on the attention-grabbing opener, "Losing Touch") and steel drums (the tropical and immensely catchy "I Can't Stay), the Killers haven't lost their love of 1980s synth-pop. The anthemic "Human" is a case in point, proving that the New Wave influences that gave the band its initial appeal are still intact. Buffered by gleaming, pristine production, DAY & AGE soars and seduces; it's irrefutable proof that even as the Las Vegas quartet mixes up their sound, the appeal of their button-pushing pop endures.