Under the Pink by Tori Amos CD 1994 - Very Good

Up for sale is this CD in Very Good condition, includes original Disc's, Art work & case. 

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Some may even have scratches, but this did not effect play back. They may have punches in the label as well, drill hole ect. most cases are replaced with brand new jewel cases. These are usually described as good condition. Most of these are resurfaced on a resurface machine. Item may or may not include digital codes.

Product Info:

. Detailed item info
Album Features
UPC: 075678256721
Artist: Tori Amos
Format: CD
Release Year: 1994
Record Label: Atlantic (Label)
Genre: Alternative, Rock & Pop

Track Listing
1. Pretty Good Year
2. God
3. Bells for Her
4. Past the Mission
5. Baker Baker
6. The Wrong Band
7. The Waitress
8. Cornflake Girl
9. Icicle
10. Cloud on My Tongue
11. Space Dog
12. Anastasia Yes

Details
Playing Time: 57 min.
Contributing Artists: Merry Clayton, Trent Reznor, Jr. George Porter
Producer: Tori Amos, Paul McKenna, Eric Ivan Rosse
Distributor: WEA (Distributor)
Recording Type: Studio
Recording Mode: Stereo
SPAR Code: n/a

Album Notes
Personnel: Tori Amos (piano, vocals, organ); Trent Reznor, Merry Clayton (vocals); Steve Caton (guitar), Steve Clayton (guitar, mandolin); John Philip Shenale (organ, keyboards); George Porter Jr. (bass); Carlo Nuccio (drums); Paulinho Da Costa (percussion); Eric Rosse, Paul McKenna (programming).String personnel: Ezra Klinger, Nancy Roth, John Wittenberg, Francine Walsh, Michael Harrison, Chris Reutinger (violins), Jimbo Ross, Cynthia Morrow, John Acevedo (violas), Nancy Stein-Ross, Dane Little, Melissa Hasin (cellos), Dominique Genova (bass).Engineers: Paul McKenna, John Beverly Jones, Eric Rosse.Recorded at The Fishhouse, New Mexico and Westlake Studios, Los Angeles, California.UNDER THE PINK was nominated for Best Alternative Music Performance in the 37th Annual Grammy Awards.Personnel: Tori Amos (vocals, piano); Trent Reznor (vocals); Steve Caton (guitar); John Wittenberg, Chris Reutinger, Ezra Killinger, Francine Walsh, Michael Allen Harrison, Nancy Roth (violin); Cynthia Morrow, John Acevedo, Jimbo Ross (viola); Nancy Stein-Ross, Melissa "Missy" Hasin, Dane Little (cello); John Philip Shenale (strings); Carlo Nuccio (drums); Paulinho Da Costa (percussion).Audio Mixers: Kevin Killen; Ross Cullum.Recording information: Fishhouse, NM; WEstlake STudios, L.A., CA.Photographer: Cindy Palmano.It's been a long time since an artist as quirky and defiantly personal as pianist-vocalist Tori Amos exploded upon the pop charts. With her debut effort LITTLE EARTHQUAKES, Amos avoided popular trends and convenient pigeonholes: all at once she evokes an era of thrush-like sopranos, folkish confessionals, and daring new wave artists. The resulting music on her second Atlantic release, UNDER THE PINK, is brimming over with innocence and sensuality, spirituality and heresy. That she is able to confront all of these contradictions, let alone try to resolve them, makes for remarkably powerful music.In fact, UNDER THE PINK owes much of its potency to the feeling that we're watching Amos grow up before our very eyes. The daughter of a Methodist preacher, Tori Amos was a child prodigy on the piano, gifted with an exceptionally quick ear and a solid rhythmic feel. However, while pursuing her formal studies, she ran dead up against the rigidity of classical protocol, and her teachers tried to break her rather than channel her talents. Some of the emotional push and pull of this early artistic catharsis peeps through in the way Amos and co-producer Eric Rosse approach the multiplicity of piano sounds which inhabit UNDER THE PINK--sounds which symbolize the many feminine rites of passage depicted throughout the album.There are the child-like, half-remembered musings of "Bells For Her" and "Icicle" ("I think the good book is missing some pages"), and the vigorous attack of "The Waitress," "Cornflake Girl" and "God" ("God sometimes you just don't come through/Do you need a woman to look after you"). Here Amos' sense of alienation, rage and betrayal is echoed in offbeat rock textures and swooping vocal refrains suggesting the work of fellow traveller Kate Bush on THE DREAMING. Elsewhere, her vibrant vocal range and lush harmonies suggest early Joni Mitchell and even the ethnic-new age melange of Enya. The characters in her songs, however, are neither flower children nor navel gazers, but strong, vulnerable women coming to terms with their needs and longings in an often chilly world. UNDER THE PINK maps the inner journey of post-modern women and signals the arrival of a singular new singer-songwriter. .

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