Whistler, James McNeill - Miss Cicely Alexander Harmony in Grey & Green postcard

Art Postcard
• Work of art title: Miss Cecily Alexander - Harmony in Grey and Green (1872-4)
• Artist (if known): James McNeill Whistler
• Media or other details:  painting
• Publisher / Gallery: National Gallery, London
• Postally used:  no
• Stamp & postmark details (if relevant): na
• Size: modern
• Notes & condition details:

NOTES:

Size: 'Modern' is usually around 6in x 4in / 'Old Standard' is usually around 5 1/2in x 3 1/2in. Larger sizes mentioned, but if you need to know the exact size please ask.

All postcards are not totally new and are pre-owned. It's inevitable that older cards may show signs of ageing and use, particularly sent through the post. Any faults other than normal ageing are noted.

Stock No.: A745

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Postage & Packing:

Postage and packing charge should be showing for your location (contact if not sure).

No additional charges for more than one postcard. You can buy as many postcards from me as you like and you will just pay the fee above once. Please wait for combined invoice. (If buying postcards with other things such as books, please contact or wait for invoice before paying).

Payment Methods:

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NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!

I will give a full refund if you are not fully satisfied with the postcard.

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information:

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James Abbott McNeill Whistler /'d?e?mz 'æb?t m?k'ni?l 'w?sl?/ (July 10, 1834^{[1][2][3][4][5]} – July 17, 1903) was an American-born, British-based artist active during the American Gilded Age. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo ""art for art's sake"". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.^[6] The symbol was apt, for it combined both aspects of his personality—his art was characterized by a subtle delicacy, while his public persona was combative. Finding a parallel between painting and music, Whistler entitled many of his paintings ""arrangements"", ""harmonies"", and ""nocturnes"", emphasizing the primacy of tonal harmony.^[7] His most famous painting is ""Arrangement in Grey and Black No. 1"" (1871), commonly known as Whistler's Mother, the revered and oft-parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers.^[8]

James Abbott Whistler was born in Lowell, Massachusetts. He was the first child born to Anna Matilda McNeill and George Washington Whistler, a prominent engineer. She was his father's second wife. At the Ruskin trial (see below), Whistler claimed the more exotic St. Petersburg, Russia as his birthplace: ""I shall be born when and where I want, and I do not choose to be born in Lowell"", he declared.^[9] In later years, he would play up his mother's connection to the American South and its roots, and present himself as an impoverished Southern aristocrat (although to what extent he truly sympathized with the Southern cause during the American Civil War remains unclear). After her death, he would adopt her maiden name, using it as an additional middle name.

Young Whistler was a moody child prone to fits of temper and insolence, who—after bouts of ill-health—often drifted into periods of laziness. His parents discovered in his early youth that drawing often settled him down and helped focus his attention.^[10]

type=printed postcards

theme=artists signed

sub-theme=art

number of items=single

period=1945 - present

postage condition=unposted