The Hudsucker Proxy Laserdisc LD 1994 (13166) Tim Robbins Paul Newman

This listing is for The Hudsucker Proxy Laserdisc LD 1994 (13166) Tim Robbins Paul Newman.

Country: USA   

Released: 26/10/1994

Publisher: Warner Home Video

Price: 34.98 USD

UPC: 085391316664

UPC=085391316664

ISBN=0-79072264-X

I-S-B-N: 0-79072264-X

Category: Comedy

Color: Color

Length: 111 min

Sides: 2

Chapters: 37

Size: 12"

Picture: Letterboxed

Ratio: 1.85:1

Plastic: Transparent

Cover: Standard 

The Hudsucker Proxy is a 1994 screwball comedy film co-written, produced, and directed by the Coen brothers. Sam Raimi co-wrote the script and served as second unit director. The film stars Tim Robbins as a naïve but ambitious business school graduate who is installed as president of a manufacturing company, Jennifer Jason Leigh as a newspaper reporter, and Paul Newman as a company director who hires the graduate as part of a stock scam. The script was finished in 1985, but production did not start until 1991, when Joel Silver acquired the script for Silver Pictures. Warner Bros. subsequently agreed to distribute the film, with further financing from PolyGram Filmed Entertainment and Working Title Films. Filming at Carolco Studios in Wilmington, North Carolina, lasted from November 1992 to March 1993. The New York City scale model set was designed by Michael J. McAlister and Mark Stetson, with further effects provided by The Computer Film Company. Upon its release in March 1994, The Hudsucker Proxy received mixed reviews from critics and bombed at the box office, but has since gained a cult following.

LaserDisc (LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold, and marketed as MCA DiscoVision (also known as simply "DiscoVision") in North America in 1978.  Although the format was capable of offering higher-quality video and audio than its consumer rivals, the VHS and Betamax videocassette systems, LaserDisc never managed to gain widespread use in North America, largely due to high costs for the players and video titles themselves and the inability to record TV programming. It also remained a largely obscure format in Europe and Australia. By contrast, the format was much more popular in Japan and in the more affluent regions of Southeast Asia, such as Hong Kong, Singapore, and Malaysia, being the prevalent rental video medium in Hong Kong during the 1990s. Its superior video and audio quality did make it a somewhat popular choice among videophiles and film enthusiasts during its lifespan.

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