Dave Baby Cortez – Organ Shindig Vinyl LP Record Album R25298

This listing is for Dave "Baby" Cortez – Organ Shindig Vinyl LP Record Album R25298.

Label: Roulette – R25298, Roulette – R-25298

Format: Vinyl, LP, Album, Mono

Country: US

Released: 1965

Genre: Jazz, Funk / Soul

Style: Soul-Jazz, Rhythm & Blues, Soul  

Condition:   Jacket:     Very Good         Vinyl:     Very Good

Tracklist:

A1 Shake 2:30

A2 Watermelon Man 2:05

A3 The Boy From New York City 2:32

A4 Can't Buy Me Love 2:15

A5 How Sweet It Is 2:25

A6 Twine Time 2:25

B1 Stagger Lee 2:15

B2 Yeh, Yeh 2:26

B3 Searchin' 2:30

B4 Come See About Me 2:23

B5 Where Did Our Love Go 2:35

B6 Paper Tiger 2:25

David Cortez Clowney (born August 13, 1938), known by the stage name Dave "Baby" Cortez, is an American pop and R&B organist and pianist, best known for his 1959 hit, "The Happy Organ". He is the oldest living performer to have a solo #1 hit on the Billboard Hot 100. Clowney was born in Detroit, Michigan, United States, and attended Northwestern High School in the city. His father played the piano, and encouraged him to pursue a musical career. Clowney played the piano for 10 years, then he took up the organ. He made his first record in 1956 under his own name, and also sang with two doo-wop groups, the Pearls and the Valentines, in the mid-1950s.

Dave Clowney was well known in black pop-music circles as the musical director for Little Anthony and the Imperials. Clowney was scheduled to record his original song "The Happy Organ" during a 1959 recording session. The microphones were positioned for a vocal, but Clowney demurred: "I didn't like the vocal, because I'm not a great singer," he recalled in 2012. He noticed a Hammond electric organ sitting unused in a corner of the studio. "Usually, when you go into a studio, they have the Hammond organ covered up. People weren't using it then, except in gospel, mostly. I said, 'Let me try this thing here.'" "The Happy Organ" was the first pop/rock hit to feature the electronic organ as lead instrument; it featured drummer Gary Hammond and was co-written by the celebrity photographer James J. Kriegsmann and frequent collaborator Kurt Wood. The guitar solo was by session musician Wild Jimmy Spruill. The record, crediting Clowney as Dave "Baby" Cortez, was the first instrumental No. 1 on Billboard magazine's Hot 100 chart. The original 45-rpm single was released on the independent Clock Records label, but the LP which featured it was released by RCA Victor by arrangement with Clock. Cortez had another Top Ten hit in 1962 with "Rinky Dink" on Chess Records. This record became well known in the UK as the signature tune of the Saturday afternoon program Professional Wrestling, introduced by Kent Walton, although few knew the name of the tune or the artist. The song has a strong resemblance to 1957's "Love Is Strange" by Mickey & Sylvia, since it used the same guitar riff. After changing his focus to vocals and recording the minor hit, "Unaddressed Letter", he had his final pop hit in 1973, with "Someone Has Taken Your Place", on the All Platinum label. In 2011, after a 38-year hiatus from recording, Cortez returned with a new album on Norton Records backed by Lonnie Youngblood and His Bloodhounds, including underground luminary Mick Collins of the Dirtbombs and the Gories.

CONDITION Descriptions:

I base the condition of each of my Records off of 's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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