The Rubaiyat of Omar Khayyam by Omar Khayyam (Paperback, 1996) New Cheap Book

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The Rubaiyat of Omar Khayyam
by Omar Khayyam
Series: Wordsworth Classics
Format: Paperback / softback 112 pages
Publisher: Wordsworth Editions Ltd
Imprint: Wordsworth Editions Ltd
Edition: New ed
ISBN: 9781853261879
Published: 4 Mar 1996
Classifications: Poetry by individual poets
Weight: 78g
Dimensions: 201 x 138 x 7 (mm)
Pub. Country: United Kingdom

Description

Here is Edward FitzGerald’s original translation of the Rubáiyát, the collection of poems attributed to the Persian astronomer and mathematician, Omar Khayyám. FitzGerald’s distinctive version (1859), with its oriental imagery and sensual warmth, made an exotic appeal to the Victorian imagination. Its scepticism fitted a time of increasing religious doubt; its romantic melancholy resonated with the writings of Matthew Arnold and Thomas Hardy; and its epicureanism heralded the Aesthetic Movement.

It has inspired composers, rock groups, artists and film-makers. As rendered by FitzGerald, the Rubáiyát remains a seductively subversive poem.

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AnnonstypGalleriannons
Annons-ID:191571381
StarttidSön 26 apr 2020 13:08:03 (CEST)
SluttidPågår till såld
StartbudFast pris (ingen budgivning)
ProduktvillkorNy
Bud0
Visningar173
Avsändningstid (inkluderar inte söndagar)Nästa dag
Antal10
PlatsStorbritannien
Auto-förlängNej
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9781853261879 - Rubaiyat of Omar Khayyam
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Rubaiyat of Omar Khayyam
ISBN
9781853261879
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Synopsis
Translated by Edward Fitzgerald This edition presents the classic free translation by Edward Fitzgerald of the great Persian poem by the 12th century astronomer and poet - Omar Khayyám. Fitzgerald's masterful translation was first published as an anonymous pamphlet in 1859. Its colourful, exotic and remote imagery greatly appealed to the Victorian age's fascination with the Orient, while its luxurious sensual warmth acted as a striking counterpoint to the growth of scientific determinism, industrialisation and the soulless Darwinian doctrine of the survival of the fittest. Greatly praised by Dante Gabriel Rossetti, Swinburne, Ruskin and William Morris, the romantic melancholy of the poem anticipates the poetry of Matthew Arnold and Thomas Hardy, while its epicurean motifs link it to the Aesthetic Movement

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