Lascaux, France - cave paintings, deer - real photo postcard c.1960s

Postcard
• Picture / Image:  Lascaux, Dordogne, France - scene from the famous cave paints - shows deer - real photo type
• Publisher:  Windels Montignac
• Postally used:  no
• Stamp:  n/a
• Postmark(s): n/a
• Sent to:  n/a
• Notes / condition: 

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Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information (internal links may not  work) :

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Lascaux (Lascaux Caves) (English /læs'ko?/,^[1] French: [lasko]^[2]) is the setting of a complex of caves in southwestern France famous for its Paleolithic cave paintings. The original caves are located near the village of Montignac, in the department of Dordogne. They contain some of the best-known Upper Paleolithic art. These paintings are estimated to be 17,300 years old.^[3][4] They primarily consist of images of large animals, most of which are known from fossil evidence to have lived in the area at the time. In 1979, Lascaux was added to the UNESCO World Heritage Sites list along with other prehistoric sites in the Vézère valley.

In the late summer of 1940, the entrance to Lascaux Cave was discovered by 18-year-old Marcel Ravidat. Ravidat returned to the scene with three friends, Jacques Marsal, Georges Agnel, and Simon Coencas, and entered the cave via a long shaft. The four teenagers discovered that the cave walls were covered with depictions of animals.^[6][7] The cave complex was opened to the public in 1948.^[8] By 1955, the carbon dioxide produced by 1,200 visitors per day had visibly damaged the paintings. The cave was closed to the public in 1963 in order to preserve the art. After the cave was closed, the paintings were restored to their original state, and were monitored on a daily basis. Rooms in the cave include The Hall of the Bulls, the Passageway, the Shaft, the Nave, the Apse, and the Chamber of Felines.

Lascaux II, a replica of two of the cave halls (the Great Hall of the Bulls and the Painted Gallery) was opened in 1983, 200 meters from the original.^[7] Reproductions of other Lascaux artwork can be seen at the Centre of Prehistoric Art at Le Thot, France.

Since 1998 the cave has been beset with a fungus, variously blamed on a new air conditioning system that was installed in the caves, the use of high-powered lights, and the presence of too many visitors.^[9] As of 2008, the cave contained black mold which scientists were and still are trying to keep away from the paintings. In January 2008, authorities closed the cave for three months even to scientists and preservationists. A single individual was allowed to enter the cave for 20 minutes once a week to monitor climatic conditions. Now only a few scientific experts are allowed to work inside the cave and just for a few days a month but the efforts to remove the mold have taken a toll, leaving dark patches and damaging the pigments on the walls.^[10]

In its sedimentary composition, the Vézère drainage basin covers one fourth of the département of the Dordogne, the northernmost region of the Black Périgord. Before joining the Dordogne River near Limeuil, the Vézère flows in a south-westerly direction. At its centre point, the river's course is marked by a series of meanders flanked by high limestone cliffs that determine the landscape. Upstream from this steep-sloped relief, near Montignac and in the vicinity of Lascaux, the contours of the land soften considerably; the valley floor widens, and the banks of the river lose their steepness.

The Lascaux valley is located some distance from the major concentrations of decorated caves and inhabited sites, most of which were discovered further downstream. In the environs of the village of Eyzies-de-Tayac Sireuil, there are no less than 37 decorated caves and shelters, as well as an even greater number of habitation sites from the Upper Paleolithic, located in the open, beneath a sheltering overhang, or at the entrance to one of the area's karst cavities. This is the highest concentration in western Europe.

The cave contains nearly 2,000 figures, which can be grouped into three main categories: animals, human figures, and abstract signs. The paintings contain no images of the surrounding landscape or the vegetation of the time.^[11] Most of the major images have been painted onto the walls using mineral pigments, although some designs have also been incised into the stone. Many images are too faint to discern, and others have deteriorated entirely.

Over 900 can be identified as animals, and 605 of these have been precisely identified. Out of these images, there are 364 paintings of equines as well as 90 paintings of stags. Also represented are cattle and bison, each representing 4 to 5% of the images. A smattering of other images include seven felines, a bird, a bear, a rhinoceros, and a human. There are no images of reindeer, even though that was the principal source of food for the artists.^[12] Geometric images have also been found on the walls.

The most famous section of the cave is The Great Hall of the Bulls where bulls, equines, and stags are depicted. The four black bulls, or aurochs, are the dominant figures among the 36 animals represented here. One of the bulls is 17 feet (5.2 m) long, the largest animal discovered so far in cave art. Additionally, the bulls appear to be in motion.^[12]

A painting referred to as ""The Crossed Bison"", found in the chamber called the Nave, is often submitted as an example of the skill of the Paleolithic cave painters. The crossed hind legs create the illusion that one bison is closer to us than the other. This visual depth in the scene demonstrates a primitive form of perspective which was particularly advanced for the time.

type=silk

theme=topographical: rest of the world

sub-theme=europe

county/ country=france

number of items=single

period=1945 - present

postage condition=unposted