Dalwood, Dexter - Ceaucescu's Execution, 2002 - art postcard

^{Please ask if you need any other information and I will do the best I can to answer.}

^{Image may be low res for illustrative purposes - if you need a higher definition image then please contact me and I may be able to send one. No cards have been trimmed (unless stated).}

^{------------------------------------------------}

^{Postage & Packing:}

^{Postage and packing charge should be showing for your location (contact if not sure).}

^{No additional charges for more than one postcard. You can buy as many postcards from me as you like and you will just pay the fee above once. Please wait for combined invoice. (If buying postcards with other things such as books, please contact or wait for invoice before paying).}

^{Payment Methods:}

^{UK - PayPal, Cheque (from UK bank) or postal order}

^{Outside UK: PayPal ONLY (unless otherwise stated) please.   NO non-UK currency checks or money orders (sorry).}

^{NOTE: All postcards are sent in brand new stiffened envelopes which I have bought for the task. These are specially made to protect postcards and you may be able to re-use them. In addition there are other costs to sending so the above charge is not just for the stamp!}

^{I will give a full refund if you are not fully satisfied with the postcard.}

^{----------------------------------------------}

^{Text from the free encyclopedia WIKIPEDIA may appear below to give a little background information (internal links may not  work) :}

^{*************}

Dexter Dalwood (born 31 August 1960, Bristol, England) is a British artist based in London, England.

From 1981 until 1985 Dalwood attended Saint Martin's School of Art in London[1] and, from 1988 until 1990, the Royal College of Art, London. Before becoming an artist he was the bass player of the Bristol punk rock band The Cortinas.

He is currently a Research Professor of Fine Art at Bath Spa University.[2] Between 2011 and 2019 Dalwood was an Artist Trustee[3] for the National Gallery, London, and served as the liaison Trustee[4] on the Board of Trustees of the Tate Gallery between 2017 and 2019. He was nominated for the Turner Prize[5] in 2010 following his mid- career retrospective at Tate St Ives, Cornwall.

He is also a contributor to The Burlington Magazine.

Exhibitions
Dalwood has shown work in international and UK exhibitions including “Die Young Stay Pretty” at ICA London (1998), “New Neurotic Realism” at Saatchi Gallery, London (1999), “Remix” at Tate Liverpool (2002), 2002 Sydney Biennial, Dublin Contemporary 2011, “The Space Between” at Karsten Schubert, London (2012), “Paying No Attention I Notice Everything: Robert Walser and the Visual Arts” at Aargauer Kunsthaus, Aarau, Switzerland (2013), “The Venice Syndrome: Grandeur and Fall in the Art of Venice” at glHoltegaard, Holte, Denmark (2013), "Fighting History” at Tate Britain (2015), “Painters' Painters” at Saatchi Gallery, London (2016), “Age of Terror” at Imperial War Museum, London (2016), “True Faith” at Manchester Art Gallery (2016), “The Painting Show” (British Council) at CAC, Vilnius, Lithuania; Goyang Aram Nuri Arts Center, Korea; and Limerick City Gallery of Art, Ireland (2016/17), “Michael Jackson: On the Wall” at National Portrait Gallery, London (2018) and “Hello World. Revisioning a Collection” at Hamburger Bahnhof – Museum für Gegenwart – Berlin.

Solo exhibitions of new work include Gagosian Gallery shows in London (2000; 2007), Beverly Hills (2002; 2009) and New York (2004). Plus David Risley Gallery, Copenhagen (2009; 2012), Nolan Judin, Berlin (2011), Kunsthaus Centre d'art Pasquart, Switzerland (2013), Simon Lee Gallery – London (2014; 2019) and Hong Kong (2016) – and Galerie Hubert Winter, Vienna (2017).

A mid-career survey exhibition at Tate St Ives (2010) – touring to FRAC Champagne-Ardenne, Reims (2010) and CAC Malaga (2010) – was followed by a Turner Prize